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There comes a time in most gamers lives when the people around them just don t want to be a part of the gaming experience, and that means it s time to use a headset. Bonus: Decent headphones usually sound a lot better than basic computer speakers, anyway. Of course, when you re shopping for headsets, you ll want to take into account comfort (try each pair on for at least 15 minutes) and sound quality (if it doesn t sound good to you, why bother ). Don t forget, however, to pay attention to cable length, or spring for a wireless headset; you don t want to be tethered too tightly to your iMac. Optional features to consider include a microphone (without a microphone, of course, they re headphones, not a headset), a separate volume control, and force feedback. That s when the headset vibrates in sympathy with bass tones, intensifying the realism of the action. Two good brands to look at are Logitech (www.logitech.com), which offers a few different models that all include inline volume controls and range from $25 to $50, and Sennheiser (www.sennheiserusa.com),an audiophile brand whose offerings have somewhat higher price tags. For example, the Sennheiser PC-151 headset ($70) is extremely comfortable, and its noise-canceling microphone is not only rotatable but bendable (see figure 10.7). Or you could try the PC-350 model ($250), with circumlateral earcups that shut out all external sound.

Hey, sometimes pictures just look better when you put them together. Technically, because you re going to use related images in this makeover, you re going to end up with a montage, but many folks use the term collage as a catchall term for all multipart images . . . I say call it what you like! Combining images to make a multipart image can yield some very satisfying results. People and other animals provide good fodder for montages; you often have a range of expressions and/or postures to provide interesting image components. Here is an example.

Client-server communication is prone to glitches. Rather than hanging up your machine while trying to reach a server that is down or slow, Dreamweaver alerts you to an apparent problem after a set period. You can determine the number of seconds you want Dreamweaver to wait by altering the FTP Time Out value. The default is 60 seconds.

(d) Discard the supernate, disperse the pellet, immerse in 0.1% collagenase (about 3-fold the volume of pellet), and digest for 16 18 h at 37 C. (e) Add an appropriate volume of PBSA (double the volume of digest) and centrifuge at 250 g for 5 min at room temperature. (f) Remove the supernate and treat the pellet with 2.5% trypsin (about double the volume of pellet) at 37 C for 30 min with agitation. (g) Add appropriate FBS (10% of volume of digest) to neutralize the excess trypsin. (h) Wash the cells with culture medium. (i) Resuspend isolated cells in culture medium and seed in culture asks at a density of approximately 1 103 cells/cm2 .

If you import a Premiere project into After Effects, then you can export a frame from the Premiere project that is in After Effects to Photoshop. In Photoshop, the video tracks from the Premiere frame appear as separate layers. After you have either a Premiere or After Effects frame in Photoshop, you can use the separate layers (video tracks) to create other art pieces for your video production, or you can use the layers to create print and/or Web art. Following are the steps to import a Premiere project into After Effects and then to export a frame from the Premiere project that is in After Effects to Photoshop: 1. Load Adobe After Effects. 2. Choose File New New Project. 3. Choose File Import Premiere as Comp. In the Open dialog box that appears, locate the Premiere project you want to open and then click Open. 4. Double-click the Composition file in the Project window to display the Time Layout window and Composition window. In the Time Layout window, all Premiere tracks appear as layers. In the Composition window, you see the layers as a composite. 5. Move the Time Marker in the Time Layout window to the frame you want to export. 6. Choose Composition Save Frame As Photoshop to save the still frame with all of its layers. To save a still frame as a composite without the layers, choose Composition Save Frame As File. 7. To open the file in Photoshop, load Adobe Photoshop and choose File Open to open the file. When the file opens, the video tracks from Premiere appear in different Photoshop layers.